Those of us who spend our days in the company of young children need not search far for understanding of this term. Whether you laugh along with it or whether it makes you leave the room for a break, we all know it. There is nothing quite as joyful as the silly, laughing, tumbling energy of young children and, as with anywhere else, in a classroom, it spreads. One child begins and before long the entire group is rolling around, tumbling or even doing cartwheels, all in full laughter and trying to get them back attentive and calm is a task only befitting the bravest of souls.
The early learning frameworks of two provinces in Canada that I was reading recently qualify this type of play with a name: Dizzy Play.
“Children’s play sometimes erupts suddenly in loud, boisterous, physical bursts. This kind of play is exhilarating and infectious, creating communities through shared laughter. Children love to twirl until they are too dizzy to stand up, laugh with others over nothing in particular, babble nonsense words in a riotous conversation, put their pants on their head or their jacket on their legs and perform for their friends. They revel in their power to turn the world upside down, playfully confident that they can restore it.”
Early Learning and Child Care: English Curriculum Framework for New Brunswick, 2007, p.29 .
Continue reading “How do we allow for the joy of ‘dizzy play’ in our programs and why should we?”
What does it mean to belong? This was my educator wonder at the beginning of this year. How can children learn from and with each other to establish positive classroom culture? How do their actions and interactions create the learning community and develop a sense of belonging amongst those within? How could documentation serve as a pedagogical tool to support this?
Continue reading “How Can Documentation Support a Sense of Belonging?”
Vivian Gussin Paley offers us another way to value the storytelling lives of children – by honouring the stories they create in their play.
Young children are continually creating pretend stories. What Paley promotes is the value of honouring those stories. These stories of play are literacy at it’s finest – authors building on what they know to create and develop stories and plots, adding imagination and creativity and emotion, developing roles and creating sets and props.
Continue reading “How Can We Value the Storytelling Lives of Developing Authors – Part 2”
What would happen if we expanded our definition of early literacy to include and honour the stories children tell through their playful exploration of the materials around them? What opportunities, growth and potential for developing creativity would occur if we allowed for the idea in our classrooms that literacy – in particular writing – begins with and flows from the storytelling lives of the children? Continue reading “How Can We Value the Storytelling Lives of Developing Authors – Part 1”